'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old Renée Néré as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are Renée's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly.